Close Encounters of the Third Kind

Friday, September 1

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Two parallel stories are told. In the first, a group of research scientists from a variety of backgrounds are investigating the strange appearance of items in remote locations, primarily desert regions. In continuing their investigation, one of the lead scientists, a Frenchman named Claude Lacombe, incorporates the Kodály method of music education as a means of communication in their work. The response, in turn, at first baffles the researchers, until American cartographer David Laughlin deciphers the meaning of the response. In the second, electric company lineman and family man Roy Neary and single mother Jillian Guiler are among some individuals in Muncie, Indiana who experience some paranormal activity before some flashes of bright lights in the sky, which they believe to be a UFO. Roy becomes obsessed with what he saw, unlike some others, especially in some form of authority, who refuse to acknowledge their belief that it was a UFO in not wanting to appear crazy. That obsession …

Tulip Fever

Friday, September 1

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In 17th Century Amsterdam, an orphaned girl Sophia (Alicia Vikander) is forcibly married to a rich and powerful merchant Cornelis Sandvoort (Christoph Waltz) – an unhappy “arrangement” that saves her from poverty. After her husband commissions a portrait, she begins a passionate affair with the painter Jan Van Loos (Dane DeHaan), a struggling young artist. Seeking to escape the merchant’s ever-reaching grasp, the lovers risk everything and enter the frenzied tulip bulb market, with the hope that the right bulb will make a fortune and buy their freedom.

Fallen

Friday, September 1

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Lucinda “Luce” Price is a strong-willed seventeen-year-old living a seemingly ordinary life until she is accused of a crime she didn’t commit. Sent off to the imposing Sword & Cross reform school, Luce finds herself being courted by two mysterious students to whom she feels oddly connected. Isolated and haunted by strange visions, Luce begins to unravel the secrets of her past and discovers the two men are fallen angels, who she learns have loved her for centuries.Luce must choose where her feelings lie, pitting Heaven against Hell in an epic battle over true love.

Unlocked

Friday, September 1

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A CIA interrogator is lured into a ruse that puts London at risk of a biological attack.

Get Big

Friday, September 1

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Inspired by somewhat true events, “Get Big” follows the misadventures of two friends as they reconnect to attend a high school classmate’s wedding. Alec is the charming troublemaker, while Nate provides the neurotic and awkward foil to his friend’s unpredictable antics. “Get Big” takes place over the course of a crazy 24-hour period during which Alec and Nate cross paths with oddball cops, curmudgeonly neighbors, drug dealers, psychopaths, escorts and pretty girls, all while the clock ticks down their classmate’s big moment.

I Do… Until I Don’t

Friday, September 1

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What’s the Point? is a comedy investigating the concept that marriage should be a seven-year contract with an option to renew. The story is told through the lens of a pretentious documentarian and follows three couples at various stages in their relationships.

Goon: Last of the Enforcers

Friday, September 1

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It’s a new day for the Halifax Highlanders. A pro lockout has reunited old teammates and brought a crew of new players to the bench; notably missing from the line-up, however, is everyone’s favourite enforcer and heart of the team, Doug “The Thug” Glatt. Sidelined after one too many hits and now married with a baby on the way, Doug is hanging up his skates and settling into life as an insurance salesman. But when Doug’s nemesis, Anders Cain, is made captain of the Highlanders and new ownership threatens to tear his team apart, Doug is compelled back into action. Ignoring the wishes of wife Eva, Doug heads to the rink, discovering an unlikely training partner in fellow retired enforcer and one-time arch rival, Ross “The Boss” Rhea. Together with grit, passion and unrivaled loyalty, they will grind out one last chance to do what they do best…protect their team.

30 Years of Garbage: The Garbage Pail Kids Story

Friday, September 1

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In the 1980s a bunch of underground cartoonists parodied a popular doll. The resulting commercial product tapped into the international kid zeitgeist. That young generation felt that this product spoke to the revulsion they had for the corporate pop culture that was being fed to them.

Do It Like An Hombre

Friday, September 1

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Raúl, Eduardo and Santiago have led a happy and masculine life from their childhood, until, one day, Santiago confesses to them that he is gay. Impulse, Raul, the alpha male and more homophobic of the three, will try to convince his friend that his is nothing more than a simple sexual confusion, until, when the situation becomes unsustainable, Eduardo and Raul will leave aside their prejudices And decide to help Santiago to venture into their new gay life.

Viceroy’s House

Friday, September 1

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New Dehli in March 1947. The huge and stately Viceroy’s Palace is like a beehive. Its five hundred employees are busy preparing the coming of Lord Louis Mountbatten, who has just been appointed new (and last) viceroy of India by prime minister Clement Attlee. Mountbatten, whose difficult task consists in overseeing the transition of British India to independence, arrives at the Palace, accompanied by his Edwina, his liberal-minded wife and by his eighteen-year-old daughter Pamela. Meanwhile, in the staff quarters, a love story is born between Jeet, a Hindu, and Aalia, a Muslim beauty. Things will prove difficult – not to say very difficult – both on the geopolitical and personal level.

Dolores

Friday, September 1

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Dolores Huerta bucks 1950s gender conventions by starting the country’s first farm worker’s union with fellow organizer Cesar Chavez. What starts out as a struggle for racial and labor justice, soon becomes a fight for gender equality within the same union she is eventually forced to leave. As she wrestles with raising 11 children, three marriages, and is nearly beaten to death by a San Francisco tactical police squad, Dolores emerges with a vision that connects her new found feminism with racial and class justice.